Pete Seeger for Nobel Peace Prize

A noble cause.

NOMINATE PETE SEEGER FOR NOBEL PEACE PRIZE!

Clearwater founder, Pete Seeger has been an ambassador for Peace and Social Justice over the course of his lifetime. As an artist and activist, his music and performance have worked to engage people in causes to end the Vietnam War, ban nuclear weapons, work for international solidarity and environmental responsibility.

Clearwater is joining the Committee to Nominate Pete Seeger for the Nobel Peace Prize to urge the American Friends Service Committee select Pete Seeger as their nominee for the 2008 Nobel Peace Prize.

We believe this nominatio

n is important on merit of its three basic premises: that Pete’s lifelong integrity
provides a model for other people, that the unique grassroots process promotes a democratic approach to the
nomination, and that cultural work and cultural workers receive the respect they deserve in our society, that it is not only a medium of entertainment but of education, compassion and action.

We need your help to:
1) Sign the online petition at: http://www.nobelprize4pete.org
On the Homepage, click on “Sign the Petition”. On the petition page, click on “Sign this Petition” to open the signature page. There is a box at the bottom of the page with jumbled letters that you must type in correctly. If it doesn’t register, please try again.
and/or
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Shayna Shnozz

My mother, bless her with good health and long life, often forwards to me things of interest. And since my interests, and hers, are quite diverse, i never know what to expect. The latest forward was in the form of an email from Charming Hostess of the Bay Area, and a link to her singing a Yiddish version of Rudolph the Red Nose Reindeer.

If you speak even a little Yiddish this song, and the integration of the ancient cartoon, are a good laugh. Is this just the latest volley in the War on Christmas?

“The greatest klezmer Christmas song ever!” A Yiddish Rudolph the Red-Nosed Reindeer, performed by San Francisco’s Kugelplex. Vocals by Jewlia Eisenberg of Charming Hostess. Yiddish translation by Gerry Tenney.

Hat tip to Bubby Denah

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Midrash of Hanukkah Rocks: Volume 2

Two years ago I published the first of two volumes of my own commentary on one of the most important commentaries on Jewish life in America that was sadly flying under the radar. Even when recognized, it is usually misunderstood. I am speaking of course about the album Hanukkah Rocks, by The LeeVee’s Hanukkah. The LeeVee’s not only have recorded an album with great melodies, rhythms, and lyrics, but they have authored a profound statement on the nature of being Jewish, Jewish values, Jewish nationhood, and Jewish philosophy.

Looking at Hanukkah Rocks from a rabbinical perspective, the issues, the topics, the mitzvahs literally leap off the page, it all screams darsheni “interpret me!” What follows is the long anticipated sequel to Volume 1, humbly called the Midrash of Hanukkah Rocks: Volume 2.
Kugel
(6th song on the album)
Reaching into the pleasures of the Jewish feast, kugel becomes a metaphor for a discussion on the nature of Jewish traditions. Kugel, a heavy, sweet and creamy baked noodle dish that the LeeVees remember Grandma making, has undergone a radical shift. Brought on by low-fat concerns, and other seemingly important cultural and social factors, kugel has been fundamentally altered, nigh, desecrated. Their mother’s kugel just isn’t the same as Grandma’s kugel. Which brings up a discussion about Minhag Yisroel, Torah Hi, “Jewish custom’s pre-eminence is religious matters.” This rabbinic adage, ascribing the importance of tradition and custom in religious practice, is an honest warning against wanton abandonment of Jewish ways. They sing in kugel “So don’t try to tell me things they haven’t changed/ the way your made these days you should have another name/ I just wish things stayed the same.” Is this not an appeal to forestall the wanton abandonment of Jewish tradition, the reckless endangerment of Jewish civilization through casting off seemingly unimportant cultural and religious artifacts that we have adopted on our journey through 2000 years of exile?

And if this is not an appeal to rejoice and empower a return to minhag avos, beautiful traditions left by the wayside. Is this not a a call to respect traditions. It is not by accident that Fiddler on the Roof uses the refrain, Tradition, to concentrate Jewish experience into one word. Kugel, is Tradition, in hipster speak.

“Now I’m getting hungry… ” In other words, there is a deep longing for meaningful traditions—not fluff, not new-age shallowness, not cultural appropriation and misappropriation of the sacred creeds of other traditions, melted into a Judaism.

“Sorry mom your just ain’t the same…” I respect where my parents have gone, but truly, they have gone so far, that we have lost the essence of being Jewish, the path of spirituality, the deep connections to our creamy-thick and rich past.

At the Matzah Ball
Song #7
Almost nowhere in contemporary music has their been a more poignant and beautiful ballad in favor of Jewish continuity, the importance of finding your beshert. Jewish artists rarely take this issue head on. They don’t want to upset the apple cart —many of their fan base is not upset by the specter of intermarriage and deep assimilation. They write fluffy songs. They fill the airwaves with all kinds of gooey stuff, but when the rubber hits the road—the future of the Jewish community—they have let us down.

The LeeVees have taken the issue by the horns, and have penned an appeal to Jewish men: find a Jewish girl. “Jewish girls all shapes and sizes, waiting for you…” you might be convinced that all Jewish girls are the same—they aren’t. God created Jewish women and men in great diversity. Each person has a beshert. We don’t know when or where we will meet them, it might even be while you are sitting on a metal folding chair at the JCC’s mitzvah ball.

“Didn’t know you were a member of the tribe,” You might not even realize, sing the LeeVees, that the girl you have been looking at is Jewish! She might not wear her tribal affiliations around her neck. That doesn’t mean that being Jewish is not important to her. She can be a passionate and dedicated Jew, and be a private person.

There is another message of the song, hidden beneath the layers of harmony and a catchy beat: “Loneliness won’t keep you warm in winter.” They are telling us, don’t be a martyr on the alter of your ego. And don’t think that your true happiness will come in playing the field indefinitely. Is it an accident that Chanukah comes now? And finally, the moral of the story, perhaps, is that we cannot find our beshert, without looking for them.

Gelt Melts
Song #8
Again, the LeeVees use the metaphor of a common Chanukah celebration, in this case the eating of chocolate coins, to instill a deep message about performing mitzvas and the nature of why we do mitzvahs.

Many times we are confronted with the thoughts of why it is a mitzvah to do this or that—eat matzah on Passover, wave the lulav, not eat milk and meat together—and we are stumped. It makes no sense.

One of the primary reasons we do mitzvahs is not because we understand always the nature of the mitzvah. We do mitzvahs with the belief that we will internalize an essential connection to God through performance of mitzvahs. Later, we will come to an understanding. It will not be apparent, it may not come right away. Nonetheless we cannot refrain from doing mitzvhas, because life is short. Life is fleeting, life melts as fast chocolate coins in your pocket.

Of course we will be ridiculed by the world. The world will look at our mitzvahs and try to humiliate us with them—but look who is talking! As they sing “If goys can eat a chocolate bunny, why cant we eat chocolate money?” The goyim might ridicule some of our traditions, some of our mitzvahs, but look whose talking! And chocolate bunnies is just the start.

“You gotta get while you can, won’t last long/we don’t claim to have the answer this song/but your good thing will be gone” Mitzvas are fleeting. You cannot make Kiddush Sunday morning. You can’t make up for Chanukah in January. The time is now. Carpe Mitzvah!

Nun Gimmel Heh Shin
#9
You might think that dreidel is just a game. Dredel is really an eloquent way to teach children about life, giving, service, self sacrifice, thinking of others. This song goes against the entire grain of society now, which is all about me, all “I” this and “I” that. Where is the “thou” where is the other? Life is about giving. “You’ll get out what you put in.”

Nun, Gimmel, Hey, Shin then teaches us that even the most innocent of Jewish childhood games has depth, character, and instructs us in the game of life. It is sacred. It is innocent. It is wholesome. Those that organize Texas Hold-em Dreidel contests, dreidel drinking games, and strip- dreidel, are contributing to the profound degradation of our consciousness, denigrating the innocent game at the expense of vice. They let chronic pornography, gambling addiction, and alcoholism become acceptable. The Maccabbes fought to save us from the Hellenism! The debasement of dreidel gives the Greeks a posthumous victory. Dreidel needs to stay just dreidel.

See below for Volume One: Read more

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Rosh Hashanah Girl

From the creative minds of Michelle Citrin and the Jewish Robot & Shabot 6000’s creator, William Levin comes this video Rosh Hashanah Girl – a spoof on the Obama video, Obama Girl.